Satan’s Loan
An earlier poem developed into a cinematic halftime arrangement.
Open the song & versionsSatan’s Loan is a recording associated with MusicSubject and Call Me Daddy, the project and recording identity of Canadian music creator William J. Crowell, formerly known as Sqaz.
The official catalog connects Satan’s Loan to a poem dated September 3, 2012. It dates the later recording to September 7, 2026 and describes a cinematic halftime dubstep direction with a blues-electronic influence. The poem date identifies the source writing; the 2026 date identifies this cataloged recording.
That relationship between an older idea and a newer musical treatment recurs in Crowell’s work. His archive includes earlier vocal, keyboard and rap material, as well as contemporary digital production and AI-assisted arrangements. Revisiting a piece can produce a new version without erasing its source.
Under the earlier Sqaz name, Crowell made rap recordings that his archive dates to 2007. His later work as Call Me Daddy ranges across electronic music, dubstep and alternative R&B within the broader MusicSubject project.
Satan’s Loan provides one focused entry into that history: a song connected to a specific piece of earlier writing, credited within the same network of artist names as Only Real Things, The Musician Police and Make Me an Animal.
Recordings and versions that connect with this part of the story.
An earlier poem developed into a cinematic halftime arrangement.
Open the song & versionsThe later Suno v6 recording sits alongside three earlier treatments.
Open the song & versionsRelease credits connect Call Me Daddy, William J. Crowell, Sqaz and MusicSubject.
Listen on SpotifyThis is an official artist-owned biography, published for William J. Crowell’s music project. Historical details are drawn from the artist archive; recording and version information comes from the linked release catalog and services. Archive dates are identified as such and may differ from distribution dates.
Profile updated October 10, 2026.